“We’re like a big family here.” 🚩
The past few years have made one thing abundantly clear: all those jokes people love to make about their hardheaded bosses making them come in to work even if the sky was falling actually weren’t too far off from reality. Seems like not even a literal apocalypse would shake them out of this mindset.
I get that they have an operation to run and all, but reasonable expectations in regards to punctuality and performance is one thing—demanding that your severely underpaid workers carry on as if everything’s completely normal in the middle of a world crisis is quite another.
Give us a break, Conquest.
Jenny Kammerer is a professional artist, video producer and frustrated Philadelphia sports fan who’s been in the saddle since the age of four. When she was 16, she met her Paint/QH/Draft cross Gibson (aka Guitar Solo) as a green two-year-old, and quickly settled into the training side of equestrianism, drawing inspiration from the techniques of Pat Parelli and other natural horsemanship teachers. Known for most of her childhood as both the awkward artsy one and the weird horse girl, she always seemed destined to draw nonsensical horse cartoons. In addition to her independent illustration work, she currently teaches painting classes at Painting With A Twist and produces short-form documentaries that can be seen on www.Horse.TV. You can follow her personal art projects and stay up-to-date on Gibson and the Apocalypse on Instagram: @JennyKammArt