Gibson And The Apocalypse: Tied Up at the Moment
Come back later, I’m busy dealing with the consequences of my own decisions.
It’s no secret that working for an actual horseman of the apocalypse is a bit on the physically perilous side. Between the plague injuries, smitings, battle scars, and occasionally dropping crates of rations on my foot, I’m no stranger to pain.
But when it comes to feeling like one’s very limbs are in knots, only certain riding exercises from the pre-apocalyptic days of No-Stirrup Novembers could get me into such a state.
Don’t get me wrong, there certainly were plenty of curses, but mostly just from me.
And this cartoon is definitely NOT based on recent true events.
Jenny Kammerer is a professional artist, video producer and frustrated Philadelphia sports fan who’s been in the saddle since the age of four. When she was 16, she met her Paint/QH/Draft cross Gibson (aka Guitar Solo) as a green two-year-old, and quickly settled into the training side of equestrianism, drawing inspiration from the techniques of Pat Parelli and other natural horsemanship teachers. Known for most of her childhood as both the awkward artsy one and the weird horse girl, she always seemed destined to draw nonsensical horse cartoons. In addition to her independent illustration work, she currently teaches painting classes at Painting With A Twist and produces short-form documentaries that can be seen on www.Horse.TV. You can follow her personal art projects and stay up-to-date on Gibson and the Apocalypse on Instagram: @JennyKammArt